No Sudden Move watch online movie смотреть фильм на английском

No Sudden Move watch online movie смотреть фильм на английском

Watch full movie online No Sudden Move

Steven Soderbergh reached a very high level in his career at a very young age. How many directors have received the Palme d'Or in Cannes for their directorial debut? Sex, lies and videotape were born classics, and 11 years later the Oscar for directing Traffic made his career not so high that ... he decided to have some fun. "Not a step into a lie" is a new exercise in the genre of a director who has already shot hits, provocative films, more or less dense, but always seems to get a lot of pleasure from his work, without any more worries than attracting a private version to the film. a movie that we think is outdated.

Here he invests in noir in one of its most classic aspects, when a couple of little thugs decide to hit a big fish and end up involving everyone around them in a grand scheme of corruption, money laundering, bloodshed, beautiful women (some more deadly than others) and the McGuffin on the cake - in this case, a secret document that many want, and even the main characters don't know what it is. It's a great mix of aesthetic and narrative references in the director's ad for his talents as a storyteller, his circle of friends, and the amusement park that his film experience has grown into.

 

His admiration for the traditional format of American cinema led to the division of his experiments into two blocks: traditional and radical. In the second case, he is usually interested in digital cameras, monologues, episodic shots and a small cast. Not a false step is part of a different category that is equally thought-provoking to seem more traditional. This is because Soderbergh uses the basis of his argument to create a world as artificial as the benchmark, contributing to a sincere homage to the cinema of yesteryear without ceasing to register his copyrights; This universe of pretense, which the director eventually fell in love with, did not stop him from creating some of the traits that set him apart, such as a cast full of stars and friends, multiple storytelling, and the technical ecstasy he evoked.

Around the production, there is a constant mistrust of characters towards each other, each one seems capable of betraying at any moment, and the wide angle acts as an aesthetic urge, as if we need to look from all sides of the image in order to capture everything. angles from which a narrative surprise can come unexpectedly, as if it were a security camera keeping an eye on everyone and covering them. The Dutch plan is also repeated in the film, usually in moments of collision - which is permanent - in addition to newcomer Peter Andrews' light, which is usually diffuse and hazy. All these elements strive to transfer the viewer into the future and into the past at the same time, when he recreates the classic idea of ​​cinema and connects it with the time of continuous observation, that is, ours.

The climax of Nem um Passo em Falso also uses footage reminiscent of an American Western and its traditional duels, with groups divided in the footage by certain warring parties. Less than one might imagine, there is no inconsistency of ideas, but a coincidence, as the codes seem to merge to create a particular language conceived by the author, which is a hybrid of the purest cinema created in its beginning, which screenwriter Ed Solomon translates without compromise. to understand the audience. This concept is like skydiving into a story that gradually captures how to position itself in this maze, that is, referencing an aspect of the testimony that the audience must grasp in order to enjoy the best moments of the production.

Standing out from the crowd is the missing Brendan Fraser, who reappears many pounds higher, and the uncredited cameo, whose appearance is worth a surprise as amazing as it is outstanding. Overall, they are all well integrated with the atmosphere of the past, which Söderbergh emulates, who still finds a place to refer to real events regarding the auto industry and the real estate boom, as well as, obviously, to talk about the masculine and misogynistic mood that is so prevalent in the world. ... noir, this craft is deconstructed and reworked in search of new attractions on its cinematic roller coasters.